Tag Archives: Grisedale

Over The Edge: The Soaring Majesty of Pinnacle Ridge

Pinnacle Ridge on St Sunday Crag is a head-rush of wonder and adrenaline, but as a grade 3 scramble, I had long imagined it beyond my capabilities. Then something happened, and I found myself on belay on one of Lakeland’s most dramatic arêtes.

“Somewhere in an old guide-book, published more than fifty years ago, I remember reading: ‘St. Sunday Crag IS the Ullswater mountain,’ and, when you come to think about it, it’s not a bad description. For St. Sunday Crag dominates the western reach of Ullswater far more dramatically than Helvellyn and, in a sense, commands the whole length of the lake better than any other mountain”. So wrote Harry Griffin in The Roof Of England in 1968. He expresses surprise at how walkers and climbers have long overlooked “this long line of crag, as big as several Napes Ridges crowded together” when, “the Grisedale face of the mountain, which drops nearly 2000‘ in half a mile is one of the most dramatic fellsides in the country… Rock climbers had missed it for years and only started making climbs there 12 years ago”.

These days, walkers are a more regular feature thanks in no small part to a book published eleven years before Griffin’s: Alfred Wainwright’s, The Eastern Fells. Wainwright completists now regularly discover St Sunday Crag by way of Birks or Arnison Crag, or by Deepdale Hause from Grisedale Tarn or Fairfield. Few brave its most dramatic ascent, however, as that lies within the liminal realm where walking ends and climbing begins. Pinnacle Ridge is a grade 3 scramble, much celebrated by those who have experienced its airy drama, but in Wainwright’s view, the grade 1-classified Jack’s Rake on Pavey Ark is “the limit” for fellwalkers, and like many others, I had long imagined Pinnacle Ridge to be beyond my capabilities.

Looking back down Pinnacle Ridge
Looking back down Pinnacle Ridge

Then something happened. On the evening of April 1st, I spotted a Facebook post by Graham Uney Mountaineering offering fellwalkers, who want to step up a level, a guided and roped scramble over this iconic arête. Underneath was a comment from Nikki Knappett saying, “that looks amazing”. I know Nikki. We’ve been Facebook friends for a while but finally met in February when we both attended a three-day winter skills course in the Highlands. Having braved the frozen slopes of Cairngorm together, climbing Pinnacle Ridge seemed an appropriate next step. The offer was for two fellwalkers who would be roped together and share a climbing rack. It would be well outside my comfort zone, but sometimes you have to seize opportunities when they arise, and I was pumped full of Dutch courage, courtesy of a glass or two of Rioja, so I replied, saying, “I’m up for that, if you are”. Nikki messaged me almost immediately to say “Are you serious? YES!!”, and we emailed Graham before either of us could chicken out.

Our initial date of May 10th had to be abandoned due to high winds and persistent rain. We rescheduled for June 27th, which just gave me longer to contemplate whether this snap decision had been the act of a colossal April Fool. But now the morning has arrived, excitement holds sway over nerves.

We meet Graham in the car park of the Patterdale Sports Club. He has asked us to bring big rucksacks to accommodate the climbing gear, and promptly hands me a harness and 30m of rope to stow. He offers me a helmet, but I’ve brought my own. It’s currently acting as a makeshift lunch box, but my utilitarian packing is soon disrupted when the heavens open, and I dive to the bottom of my bag for waterproof over trousers.

The author and Nikki (photo by Graham Uney)

Nikki roars with laughter as my Gore-Tex over trousers are still patched with pink duct tape replete with unicorns, courtesy of misstep with a crampon on Cairngorm, and trusting Hayley Webb, a Winter Mountain Leader with a wicked sense of humour, to “fix” them for me.  No sooner are they on than the rain stops. Such is the power of the pink unicorns. Now, Graham and Nikki won’t let me take them off.

We walk through Grisedale to the end of the Elmhow plantation, then leave the main path to zig zag steeply up hill, roughly following a beck. As we approach Blind Cove, the gradient eases and we track right below the crags. Across the valley, the east ridge of Nethermost Pike rears sharply upward to meet the summit plateau. Just a little further south, the Tongue makes a similar upward thrust to the top of Dollywagon Pike. These are stiff ascents: I’ve made both in recent weeks to try and build fitness in preparation for today. Each is rich in wild mountain drama, yet from each, my eyes wandered across the valley trying to pick out Pinnacle Ridge. I failed on both occasions. Graham assures me this is not unusual. The ridge is hard to spot from a distance, and the initial challenge that faces most scramblers is finding the start.

Dollywagon Pike
Dollywagon Pike

In his classic book, Scrambles in the Lake District: North, Brian Evans instructs you to cross two small scree shoots and then a larger one, then look out for a rowan tree about 45m up on the right hand side. Graham tells me the rowan tree blew down some years back. Furthermore, what counts as a small scree shoot seems somewhat open to interpretation. We all agree when we reach the larger one but depending on your definition, we’ve crossed anything from zero to about eight of the smaller kind. Luckily Evans’ final landmark, “a prominent gun-like block higher up the ridge” is a more reliable clue. Graham points it out, and we walk up to a small grassy ledge below a wall of blocks and boulders. To the right, the ground banks down into a gully.

The climb to the start of Pinnacle Ridge
The climb to the start of Pinnacle Ridge

Here, rope and harnesses are retrieved, and Graham talks us through the gear we’ll be using: slings, nuts, and cams or friends will provide temporary means of attaching carabiners to the rock to create belays for the rope which he now ties to our harnesses. Graham will lead and create these secure anchors. When he shouts, “you’re on belay”, that is our cue to move. Nikki will go second. I will go last and remove whichever nut, cam or sling we were hitherto attached to, twist it to compact, and clip it to my harness, then return it to Graham when we next converge. He will inspect my work like a sergeant-major offering the slightest of nods if it passes muster or a rueful, “that’s a right dog’s dinner” if I present him with a tangled mess.

Roping Up on Pinnacle Ridge
Roping Up on Pinnacle Ridge

He shows us how to tie a clove hitch in the rope to attach to a carabiner, providing a secure hold when taut, and easy adjustment when slack. Then he cheerfully exclaims “this way” and disappears into a groove in the wall of boulder, his head emerging seconds later a few feet higher. Nikki and I hasten into the breach to see where he’s putting his hands and feet. He disappears over a parapet and a minute or two later, we hear, “You’re on belay”.

Graham twisting a nut (so to speak)
Graham twisting a nut (so to speak)

Nikki smiles then turns to face the rock, but there’s a problem. Nikki has much shorter legs than Graham and can’t reach the footholds he used. At first, she laughs, but after three or four abortive attempts, she turns to me with a look of genuine concern and whispers, “I’m not sure I can do this”.

I try to sound encouraging when I say, “of course you can”, but I needn’t have worried. Before the words have left my lips, Nikki’s expression hardens into a steely determination, and she looks again, this time spotting less-obvious options. She can’t get her foot over the parapet like Graham did, but she can get a knee on to it, and it’s enough purchase to haul herself over.

Nikki and Graham starting up the jumbled blocks
Nikki and Graham starting up the jumbled blocks

The rope between us goes taut, and I’m reminded of the obvious: when Nikki moves, I must move too. I feel a guilty relief that the holds aren’t quite such a stretch for me. As we converge, Graham grins and asks, “what kept you?”. Nikki laughs and exclaims indignantly, “I’ve only got short legs!” It’s an exchange that will become something of a refrain.

Learning to move in synch has its teething problems. I have to anticipate when Nikki’s next move is going to be successful (which it usually is), or when she’s going to step back down and reconsider. My initial failure to do so results in an inadvertent kick in the head. Nikki apologises profusely and reminds me she only has short legs. The mistake was all mine, but thanks to Graham’s insistence on helmets I scarcely felt the knock. With my attention duly sharpened, I read the next abortive attempt correctly and move my fingers before they get trodden on. Nikki succeeds on her third attempt, and suddenly I’m obliged to move quickly to avoid pulling her back down.

As we reconvene at the top of the step, the ridge opens out before us, and we survey the scene with a head-rush of wonder and adrenaline. The next section is an erratic jumble of blocks, rising like toppled dominos to the gun-like boulder we spotted from below. Beyond, the ridge tapers to a slender spine above the plunging cleft of the gully. The spine is spiked with pinnacles, like the plates on the back of a stegosaurus.

Graham climbing the jumbled blocks on Pinnacle Ridge
Graham climbing the jumbled blocks on Pinnacle Ridge
Graham climbing the jumbled blocks on Pinnacle Ridge
Graham climbing the jumbled blocks on Pinnacle Ridge

Under Graham’s supervision, Nikki ties us on to the carabiner and we watch Graham pick a route up over the blocks and boulders. Once on belay, we follow his line. Our next resting point affords a vista over the foot of Ullswater, an “L” shaped oasis of muted blue amid the forest green of its banks. The dappled fells are lighter shades, a dancing ephemera of sunlight and shadow.

Ullswater over Grisedale
Ullswater over Grisedale

When we reach the top of the jumbled blocks, it looks as though the onward path is barred. The pinnacles sit atop a castle wall of rock. It looks unbreachable. Graham leads on and stops at the foot of a chimney which looks as unassailable as the walls we have passed. This is what Evans calls The Crux, and this is where he advises the use of rope even to those with climbing experience. Earlier, Graham had explained how climbing grades like Diff (Difficult) and V Diff (Very Difficult) are considered relatively moderate these days, but they were named by early pioneers who lacked the equipment we have now. Pioneers like Owen Glynne Jones, whose book, Rock climbing in the English Lake District did much to popularise the sport.  Indeed, Jones’s book is illustrated by the Abraham Brothers’, who produced iconic photographs of Victorian climbers standing proudly atop Scafell Pinnacle or Pillar Rock in nailed boots and tweed suits. Apparently, there was a surge in demand for “grippy” tweed to tailor such garments. Nikki looks up at the Crux and exclaims, “we could do with grippy tweeds!” Graham laughs and says, “It’s funny you should say that as at one point in his book, O G Jones says, ‘imagine a foothold that isn’t there, and put your foot on it’. That’s what we’re going to have to do here!”

The Castle Wall
The Castle Wall
Heading for the Crux on Pinnacle Ridge
Heading for the Crux on Pinnacle Ridge

He points to a crack in the wall, and then to a couple of small footholds on the wall opposite. Using these as a springboard, he jams a fist into a fissure in the sidewall, steps across the gap and places a foot into the crack. It doesn’t appear to be resting on anything, but it supports him well enough to pull himself up an over the crest. When he gives us the go-ahead, Nikki attempts to follow.

The Crux on Pinnacle Ridge
The Crux on Pinnacle Ridge

Such is the height of the wall in proportion to the length of rope separating us, that I must follow too before she reaches the top. Nikki can’t reach the fist jam that Graham used but throws her weight across the gap and relies on momentum to carry her across to the foothold that isn’t there. It works well, and as she gets a handhold over the parapet, I follow suit. The crack must narrow inside as the toe of my left boot finds a secure hold. I want to push up and use the momentum trick to get my belly over the top of the wall, but Nikki has stalled. Her short legs are struggling to reach the higher footholds that Graham used to propel himself over. I’ve nothing to hold on to, so I lurch right getting my fingers over the ledge and the sole of my right boot balanced on the slightest of rocky knuckles. I have an uneasy sensation of being suspended in mid air. At this point, Nikki asks if I can take a step back. It’s impossible from this angle with no other handholds, and a worried silence ensues. We appear stuck in a stalemate where neither of us can move.

The Crux on Pinnacle Ridge
The Crux on Pinnacle Ridge

Then, that look of steely determination returns to Nikki’s face. She looks up and shouts, “have you got me, Graham?”

“I’ve always got you, Nikki, you’re tied to my rope”, comes the reply, but Nikki hasn’t waited for it. From nowhere, she summons a burst of upward energy that carries her knee over the top. There’s a lot of grappling around, but she’s laughing now and asking if she looks like a “graceful walrus”. Soon she’s over and safe, and it’s my turn to worry. I’m not in the ideal position to push off, but, inspired by Nikki, I just go for it and happily, it works. I pull myself up, getting my right knee over the edge and my left foot onto a rocky spur which gives me the purchase I need to complete the move, albeit no more gracefully.

Contemplating the Crux (photo by Graham Uney)

We’re now on top of the castle wall, below which the grassy bank drops abruptly into the gully. The next challenge is to negotiate the crenellations. Graham grins, “You’ve done the hardest part, all of you have to do now is walk along the top of the pointy bits.”

The Pinnacles on Pinnacle Ridge
The Pinnacles

It’s easier than it looks, yet just as exhilarating. Graham was slightly economical with the truth, however, in suggesting that all the hard bits were over. The spine culminates in the largest pinnacle and we regroup on top. The way off lies down a sloping slab which looks a little too smooth for comfort. There’s a large drop to the right. To ensure we are all secure during this traverse, Graham says we must change the order. I will go first, still belayed from the pinnacle. He’ll feed out just enough rope to get me over while negating the risk of falling far should I slip. He then hands me a sling to place over a boulder at the other end so we can belay him.

Just walk over the pointy bits (photo by Graham Uney)

We survey the slab together. Graham points out that the direct route down to the rocky platform at the base is over the smoothest part of the slab, but by veering right, the rock is more broken and a couple of angled boulders act as steps off the face and on to the platform. There is no room for error here, however, as this way lies right above the chasm.

The Pinnacles on Pinnacle Ridge
The Pinnacles on Pinnacle Ridge

I turn in and, gripping tight with both hands, start to down climb, feeling around with my feet for holds. They prove hardest to find above the boulders. Persistence discovers the slightest of ledges, but the last reach backward on to the boulder is uncomfortably far, and I’m filled with the uneasy feeling of stepping off the rock into the void. After seconds that feel like minutes, my foot reaches the reassurance of solid rock, and I step down on to the boulder. From here, a simple sideways step gains the platform.

Nikki has watched and concluded that the boulder is a step too far for her, so she opts instead to tackle the smooth face head on. She must have donned her imaginary grippy tweeds, either that or the rock face is more finely ridged than it looks, as she affects what amounts to a very well controlled slide. Graham is impressed, and once we have secured the sling, he follows her route.

Between here and the top is another tower of irregular blocks, but hand and footholds abound, and the exposure is less extreme. This final section feels like child’s play compared to what we have just done.

The final blocks on Pinnacle Ridge
The final blocks on Pinnacle Ridge

At the top, I look back over the spiky magnificence of the ridge, rising like a fossilised dinosaur from the gully, and a warm radiance of elation washes over me. I have always thought the phrase, “conquering a mountain” reeks of misplaced arrogance, but I get it now. It’s not the physical mountain we are conquering, but the mental one born of our own doubts and misgivings. With expert guidance and shared know-how, with technique, teamwork, a little trial-and-error, and the invaluable assistance of imaginary footholds and grippy tweeds, such conquests are possible. Even for those with short legs, which apparently includes Nikki, although she can’t remember whether she’s mentioned it.

The final blocks (photo by Graham Uney)
The final blocks – Nethermost Cove as a backdrop (photo by Graham Uney)

More Info / Further Reading

Find out more about Graham’s courses at:

https://www.grahamuneymountaineering.co.uk/

… or find him on Facebook:

https://www.facebook.com/grahamuneymountaineering

Read about our Cairngorm adventures, learning Winter Skills with Hayley Webb Mountaineering:

Pedestrian Verse

St. Sunday Crag, Fairfield, Seat Sandal & Grisedale Tarn

Inspired by the words of National Trust founder, Canon Hardwicke Rawnsley, I trek over St. Sunday Crag, Fairfield and Seat Sandal to Grisedale Tarn, where a prized Celtic crown lies deep in the water, a spectral army stands guard, and a lonely rock bears a poignant inscription from William Wordsworth to his shipwrecked brother, John.

“A sparrowhawk swung out from the crags, and the swifts screamed at us while we watched him. St. Sunday Crag itself cannot be viewed to finer advantage than from here, and the little Cofa Pike, like a watchtower guarding the portcullis, was a remarkable feature in the near foreground.

One was sorely tempted to climb Cofa and drop down upon the narrow neck that divides Fairfield from St. Sunday Crag—for St. Sunday Crag is said to be one of the few mountain heights that can boast remarkable flowers and plant growth—but we contented ourselves with the marvellous beauty of the colouring of the red bastions of Helvellyn as they circled round to Catchedecam, with the ebon-blue water patch of Grisedale Tarn in the hollow. With memories of Faber’s love of that upland lake, and of Wordsworth’s last farewell to his sailor brother on the fell beside the tarn, we turned our faces from the battle-ground of the winds to Great Rigg, but not before we had wondered at the piling up of the gleaming cloud masses above the long range of High Street to the west, and the sparkling of the jewel of Angle Tarn between Hartsop Dod and the Kidsty Pike.”

Grisedale Tarn and Seat Sandal from Fairfield

Thus wrote Canon Hardwicke Rawnsley of a walk upon Fairfield—“the battle-ground of the winds”—in 1911. Rawnsley was a vicar, a social reformer and a conservationist to whom us Lakes lovers owe a significant debt. Influenced by William Wordsworth and John Ruskin, Rawnsley believed that education and immersion in nature were key to improving the lot of the impoverished. His work began in the slums of Bristol where he arranged classes and country walks for the residents of Clifton, one of the city’s poorest areas. In 1878, he moved to Cumbria to become vicar of Wray. Five years later, he moved to the parish of Crosthwaite on the outskirts of Keswick.  Here, he and his wife, Edith, founded the Keswick School of Industrial Arts as an initiative aimed at tackling the widespread unemployment that dogged the town during the winter months.

The school began in 1884 as free evening classes in the parish rooms offering professional instruction in wood carving and decorative metalwork. The proceeds from sales of the work were used to fund tuition and materials, and the school rapidly gained a reputation for quality. By 1890, it was winning prizes in national exhibitions, and by its tenth year, it had outgrown the parish rooms and was obliged to move into purpose-built premises, where it continued for ninety years, finally closing in 1984.

Understandably, Rawnsley’s belief in the benefits of the natural landscape burgeoned with his move to Lakeland, and he became an ardent conservationist, battling against the proliferation of both slate-mining and the public transport network. He campaigned to keep footpaths and rights of way open and quickly realised the biggest threat to the landscape and its traditions came from private property developers. In 1895, together with Octavia Hill and Robert Hunter, he founded the National Trust for Places of Historic Interest or Natural Beauty.  The Trust aimed (as it still does) to acquire and hold land to protect it from development.  Thanks to the efforts of Rawnsley, Hill and Hunter (and the bequest of Rawnsley’s protégé, Beatrix Potter), the establishment of the Lake District National Park was made possible.

On this occasion, Rawnsley had climbed Fairfield from Grasmere via Stone Arthur and would return down the ridge from Great Rigg to Nab Scar—half of the horseshoe that remains the most popular way to ascend the mountain. But for my money, the finest way up is the one he gazes over: St. Sunday Crag and Cofa Pike.

St. Sunday Crag
St. Sunday Crag

Inspired by Rawnsley’s words I ready myself for the route. I see a sparrowhawk before I even leave the house. It’s perched on an old wooden chair in the garden, beneath the bird feeder, wondering why the gang of sparrows that perennially besiege the spot have all mysteriously disappeared. By the time I reach Patterdale, the sun is out, marking a welcome change in what has so far been an underwhelming August.

Sparrowhawk
Sparrowhawk

 I’m heading for Birks but intend to forego the summit in favour of the path that crosses its north-western shoulder and provides spectacular views over Grisedale to Striding Edge, Nethermost Pike and Dollywagon Pike. I was there in February when the Helvellyn massif was a dark volcanic rampart, frosted with snow and illuminated in a spectral light that would have had you believe you had somehow traded Wainwright for Tolkien’s Pictorial Guides to Middle Earth. I’m keen to see how it has transformed in high summer. 

Striding Edge from Birks
Striding Edge from Birks
Striding Edge & Dollywagon Cove
Striding Edge & Dollywagon Cove

It’s a tough old pull up Birks, but the backward prospect of Ullswater stretched out below, a cool blue languid pool, gives ample excuse to stop. Over a rickety stile, I gain the clear path that traverses the shoulder. The summit is up on my left, but to my right, the slopes fall steeply away to Grisedale, and across the valley are the flanks of Helvellyn, with Striding Edge a crowning wall, ahead.

Ullswater from Birks
Ullswater from Birks

Some argue these fells assume their true mountain character in winter, shorn of green vegetation, their physiques chiselled, their craggy profiles sharpened and highlighted with snow. But only a churl would deny the splendour of their summer majesty; their lower slopes mottled as they are now, olive, gold and forest green; higher daubs of purple heather are stippled with exposed stone, tinged coral pink by the ever shifting splashes of sun that dance across their sides. A slim stream of silver tinkles down from the dark cliffs of Nethermost Pike to meet a broad river of light cascading over Dollywagon to illuminate its lower crags. If you don’t believe in magic, you have simply never stood here in February and then again in August.

Nethermost Pike
Dollywagon Pike
Dollywagon Pike
Nethermost Pike
Nethermost Pike
Helvellyn from St Sunday Crag
Helvellyn from St Sunday Crag

The gentle shoulder affords a temporary respite from the steepness of the incline, but beyond the col with St. Sunday Crag, the strenuous effort resumes. The stiff climb finally relents, but the remaining ground to the summit presents a fresh challenge—the wind is gusting hard. Rawnsley’s “battle-ground of the winds” has extended along the ridge. Even if I had his botanical insight, today might not be the time to study the “remarkable flowers and plant growth”. Simply staying upright is taxing, but it’s edifying, and just beyond St. Sunday Crag’s summit is a sight to further lift the spirit.

In the distance, the mighty trinity of Fairfield, Seat Sandal and Dollywagon Pike form a circle as if to guard something of value in their midst. That something is Grisedale Tarn. From here, it looks like a dewdrop in the hollow, or perhaps a tear shed for the last king of Cumbria—a deep well of myth and religious impulse.

Grisedale Tarn between Fairfield, Seat Sandal and Dollywagon Pike
Grisedale Tarn between Fairfield, Seat Sandal and Dollywagon Pike

Rawnsley talks of “Faber’s love of that upland lake”. Frederick William Faber was a theologian and hymn writer, and a friend of William Wordsworth, who would take long vacations in the Lake District to soothe the spiritual and intellectual stress of wrestling with divergent forms of the Christian faith. In 1840, he published a poem, Grisedale Tarn, in which he imagined that if he were “a man upon whose life an awful, untold sin did weigh,” then here is where he would build a hermitage.

Grisedale Tarn
Grisedale Tarn

John Pagen White’s poem, King Dunmail, tells a darker story that links the Tarn with the large pile of stones at Dunmail Raise. According to the legend, Dunmail was the last king of Cumbria, a kingdom that then stretched as far north as Glasgow. This Celtic stronghold had long resisted subjugation by the Saxons and the Scots but was finally overthrown when they joined forces. Dunmail was supposedly slain at Dunmail Raise and his men are said to have built the large cairn to mark his grave. As White puts it:

Mantled and mailed repose his bones
Twelve cubits deep beneath the stones
But many a fathom deeper down
In Grisedale Mere lies Dunmail’s crown.

Dunmail’s crown held magical powers and his dying wish was that it should be kept from Saxon hands. A small cohort of his men took the crown and fought their way to Grisedale Tarn where they cast it in. To this day, they keep a spectral guard, and every year their apparitions carry another stone from the tarn to Dunmail Raise.

And when the Raise has reached its sum
Again will brave King Dunmail come;
And all his Warriors marching down
The dell, bear back his golden crown.

Grisedale Tarn
Grisedale Tarn

It’s a long descent to Deepdale Hause, and from the trough, the sight of Cofa Pike towering above is formidable. In actual fact, the path cuts a canny zigzag up through the crags and three points of contact aren’t required quite as often as you’d imagine. On a good day, it’s an exhilarating airy scramble, but as I start up its slopes, the heavens open and the wind whips the rain into a stinging scourge.

Cofa Pike from St Sunday Crag
Cofa Pike from St Sunday Crag

In the notes to his poem, White suggests the idea of Dunmail, and King Arthur, as once and future kings may have been a legacy of the Vikings. In old Norse belief, Odin would enact a winter trance in which he rode across the sky, accompanied by wolves, ravens and an army of the dead, in pursuit of a wild boar or, in some versions, a whirlwind. Shortly after dispatching his quarry, the god himself would die, only to be born again when next he was needed. In the eye of a mountain storm, it’s a dramatic notion and one that haunts as I tread lightly over the slender summit of Cofa and climb into the mist atop the Battleground of the Winds.

Cofa Pike from Fairfield
Cofa Pike from Fairfield
Cofa Pike from Fairfield

Thankfully, the rain is easing by the time I negotiate the steep eroded path down to Grisedale Tarn. As I lose height, I come into the lee of Seat Sandal and the wind abates. After Birks, St. Sunday Crag and Cofa Pike, another stiff ascent will be taxing, but Seat Sandal shows no mercy. As I scramble up its rock steps, I’m passed by two fell runners. I catch up with them at the top. Above, the clouds are rolling back, and down towards Grasmere, summer is re-revealing itself.

“They’ve got sunshine down there”, one says.

“And beer”, replies the other.

And with that, they take off down the southern ridge.

Down the valley towards Grasmere

I sit awhile in the shelter of the summit wall, then retrace my steps down to the water’s edge, now dark and inscrutable as the legend it harbours. Beyond the far shore, I follow the stepping-stones across the tarn outlet to join the Patterdale path.  In the shadow of Dollywagon’s Tarn Crag, I keep my eyes peeled for a brass sign affixed to the top of a hefty boulder.

Wordsworth Brothers Parting Stone
Wordsworth Brothers Parting Stone

Here did we stop; and here looked round
While each into himself descends,
For that last thought of parting Friends
That is not to be found.


Brother and Friend, if verse of mine
Have power to make thy virtues known,
Here let a monumental Stone
Stand–sacred as a Shrine;

The words are William Wordsworth’s, inscribed on a slab set into a rock that stands about 200 metres from the path. The stone is now so weather-beaten, the words are hard to read, but they combine two halves of different stanzas from Wordsworth’s Elegiac Verses, written, “In Memory of My Brother, John Wordsworth, Commander of the E. I. Company’s Ship, The Earl Of Abergavenny, in which He Perished by Calamitous Shipwreck, Feb. 6th, 1805”

This is the spot where the brothers bade farewell, neither knowing it would be for the last time.

The brass sign says, “The Brothers Parting, Wordsworth”. It was a later addition, intended, I suppose, to highlight the stone’s whereabouts to those passing along the path. I confess to having walked by unawares before, but after reading Raymond Greenhow’s blog, I’ve come looking for it. Raymond’s article provides rich historical detail and tells the little-known story of how the brass sign went missing just before the outbreak of WWI. It was retrieved, some years later, from Grisedale Tarn, where, like Dunmail’s crown, it had apparently been flung.

Wordsworth Brothers Parting Stone
Wordsworth Brothers Parting Stone

Inspired by Wordsworth’s elegy, Raymond asks an interesting question: “What would you say if you knew it was the last you would ever see of your kin”? This gets right to the heart of why this simple inscription retains such power to move. Wordsworth elevates his account of his brother’s loss above the personal and speaks to us all about our own uncomfortable farewells to those we love. It captures the awkward reticence, the sense of something left unsaid, that intangible emotion we perpetually fail to put into words. There will, we assume, be time enough for that anon. But what if that opportunity is denied us as it was for William?

Robbed of the opportunity to ever see his brother again, the Lake Poet wishes for a monumental stone to stand on this spot as a shrine to John. That wish was granted some thirty years after the William’s death by the Wordsworth society and Canon Hardwicke Rawnsley… And here it stands, a monument to fraternal love, near the site of Faber’s imagined hermitage and the watery refuge of a lost Celtic crown, it’s inscription now as spectral as Dunmail’s army.

When in late September 1800, John, William and their sister, Dorothy, said their last goodbyes, William and Dorothy returned to Grasmere, but I turn now in the opposite direction and follow in John’s footsteps—down through Grisedale to Patterdale.

Grisedale Tarn and Dollywagon Pike
Grisedale Tarn and Dollywagon Pike from Seat Sandal

Further Reading

Raymond Greenhow’s blog on the Brother’s Parting Stone is well worth a read:

https://scafellhike.blogspot.com/2019/08/the-wordsworth-brothers-parting-stone.html

… as is the Grisedale Family blog, which has an interesting quote from Dorothy Wordsworth about her brother, John, and features the full Elegiac Verses at the end:

https://grisdalefamily.wordpress.com/tag/brothers-parting-stone/

You can find Frederick William Faber’s poem, Grisedale Tarn, here:

https://www.poetrynook.com/poem/grisedale-tarn

… but you’ll have to look for John Pagen White’s Lays and Legends of the English Lake Country (1923), which contains his King Dunmail, in printed form, or search harder than I on t’Internet.


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